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When I needed sunshine I got rain
Anyway, hit me with your favorite brownie recipes! I myself prefer them fudgy instead of cakey, but I am open to variations.
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‘For the day is waxing old, and here meseemeth in this dim hall there are words crossing in the air about us—words spoken in days long ago, and tales of old time, that keep egging me on to do my will and die, because that is all that the world hath for a valiant man; and to such words I would not hearken, for in this hour I have no will to die, nor can I think of death.’
‘Now, lads, the night weareth and the guest is weary: therefore whoso of you hath in him any minstrelsy, now let him make it, for later on it shall be over-late.’
‘Now were I fain to have a true tale out of him, but it is little likely that anything shall come of my much questioning; and it is ill forcing a young man to tell lies.’
He laughed and said: ‘Thou didst not doubt but that if we met, thou mightest do with me as thou wouldest?’
‘So it is,’ she said, ‘that I doubted it little.’
[T]he stony neck sank into another desolate miry heath still falling toward the east, but whose further side was walled by a rampart of crags cleft at their tops into marvellous-shapes, coal-black, ungrassed and unmossed. Thitherward the hound led straight, and Gold-mane followed wondering: as he drew near them he saw that they were not very high, the tallest peak scant fifty feet from the face of the heath.
They made their way through the scattered rocks at the foot of these crags, till, just where the rock-wall seemed the closest, the way through the stones turned into a path going through it skew-wise; and it was now so clear a path that belike it had been bettered by men’s hands. Down thereby Face-of-god followed the hound, deeming that he was come to the gates of the Shadowy Vale, and the path went down steeply and swiftly.
In 2005, artist Rhea Ewing had a lot of questions about their own gender identity. Some of those questions were so big and so formless that they didn't even know how to ask them.
They started a kind of study, gathering people who were willing to talk to Ewing about their gender identities. Because Ewing thought in visuals, they turned it into a comic. It was originally meant to be maybe 30 pages, a little project for their final university project. Ewing soon realized that this work was too complex and multifaceted to be that simple booklet, and in fact, they didn't finish the comic until the early 2020s.
The book is arranged by topics, starting with Femininity and Masculinity and then working through more of the interviewees' experiences within themselves and then out in the world of other people, through Hormones, Healthcare, Queer Community, and much more. Under each topic are relevant snippets of the actual interviews, drawn as lively, expressive comics, and the words of the interviewees are thought-provoking and sometimes heart-rending.
Some reviewers I've read are miffed with Ewing, because the artist doesn't come up with a specific plan or specific answers to the issue of gender in today's society (and yes, there is acknowledgement and discussion of variations in culture within that society). But in fact, there are conclusions, expressed on the last couple of pages before the acknowledgments. What there isn't is a step-by-step recipe for "solving" the question of gender. And if you really read that far, you should appreciate why.
"And, by my faith, he is a man of steel, as true and as pure, but as hard and as pitiless. You remember the Cock of Capperlaw, whom he hanged over his gate for a mere mistake—a poor yoke of oxen taken in Scotland, when he thought he was taking them in English land? I loved the Cock of Capperlaw; the Kerrs had not an honester man in their clan, and they have had men that might have been a pattern to the Border—men that would not have lifted under twenty cows at once, and would have held themselves dishonoured if they had taken a drift of sheep, or the like, but always managed their raids in full credit and honour."
Their stately offices—their pleasant gardens—the magnificent cloisters constructed for their recreation, were all dilapidated and ruinous; and some of the building materials had apparently been put into requisition by persons in the village and in the vicinity, who, formerly vassals of the Monastery, had not hesitated to appropriate to themselves a part of the spoils. Roland saw fragments of Gothic pillars richly carved, occupying the place of door-posts to the meanest huts; and here and there a mutilated statue, inverted or laid on its side, made the door-post, or threshold, of a wretched cow-house.
"My master has pushed off in the boat which they call the little Herod, (more shame to them for giving the name of a Christian to wood and iron,)[...]"
Old Keltie, the landlord, who had bestowed his name on a bridge in the neighbourhood of his quondam dwelling, received the carrier with his usual festive cordiality, and adjourned with him into the house, under pretence of important business, which, I believe, consisted in their emptying together a mutchkin stoup of usquebaugh.
“Peace, ye brawling hound!” said the wounded steward; “are dagger-stabs and dying men such rarities in Scotland, that you should cry as if the house were falling?”
“Boys love” as an expression first came into existence in the 90s, and was used to describe commercial manga and light novels with a focus on male relationships, but gradually also incorporated non-commercial works, such as fanzines and doujinshi.
Posting mostly for my own reference because I lost the original article that teen!Bear read when she looked for the difference between "yaoi" and "BL."
[C]hocolate fondant (or should I say molten cake? lava cake?) is really something the French bake very often at home and that became a great classic of French restaurants, form small bistrots to more fancy restaurants. It’s super quick and easy, only 5 ingredients.
Molten Chocolate Fondant - Zest of France
Still slowly making my way through House via using it as background noise while cross stitching.
In one episode, a young supermodel mentions that the fashion designer she was walking for promised her that she would be the bride during the next show. Which confused me because? She's gonna get married on the runway?
I then ended up in a search spiral and ended up here:
“It's about money, mainly, but the whole cliché of ending a fashion show with a bride is not unlike the ridiculous lie of Hollywood romantic comedies that predictably end with a wedding,” says fashion critic and author of Fear and Clothing, Cintra Wilson.